Why, in the midst of a wave of anti-Semitism the Jewish community associated with young Muslims, would the UEJF have chosen intentionally controversial Christian imagery? Why would this choice have been so immediately and powerfully rejected by other Jewish (and not Christian) groups? And what might this tell us about how differently configured Parisian Jewish institutions understand pluralism and figure the contemporary “Jewish question”?
In this paper I will suggest that, intentionally or not, the UEJF’s ad figured French society as a collection of distinct and yet interconnected communities with deep religious sensibilities. In other words, the ad campaign simultaneously evoked France’s irreducible religious boundaries and transcended them. This double move dangerously subverted other, more mainstream French Republican and Jewish narratives about the relationship between and among religious, ethnic, and national identities.