In this paper, I explore the various ways whereby contemporary Spanish poetry moves (in the double sense of emotionally impacting and politically mobilizing) and therefore, can potentially produce, different models of sociality within the context of the 2008 financial crisis. Taking as my object of study the work of Martha Asunción Alonso and Alberto Basterrechea, better known as batania, I argue that their work engages in a fruitful discursive exchange with the 15M that has shaped not only their own poetic expression, but that of the movement itself. Thus, I approach Alonso and batania’s poetry attending not to what these texts mean, but to what they actually do; that is, what are their effects and how they impress on their readers corporeal and intellectually. This analytical task will demand attention to the spatial resources employed by Alonso and batania as they contribute to the re-democratization of public space, through the diffusion of graffiti verses and poems.