This Examining will allow us to determine whether these monuments depict books and libraries to represent a shift toward a European or even a global memory culture transfer of artists and ideas, or whether they still represent a particular memory. As Jacques Derrida and Aleida Assmann observed, library appears as objective storage of history and memory, but in fact driven by the political views of those in power who decide what will be recorded and what will be forgotten. I argue that the monument has the ability to expose and criticize the mechanisms of archives as agents of memory. Depict books in monument holds a paradox, because the knowledge they contain is no longer accessible, as I intend to show, this expresses the universal difficult inherent in representations of the Holocaust.