138 Musical Nationalism and Geography

Music Across Borders
Thursday, July 9, 2015: 11:00 AM-12:45 PM
J201 (13 rue de l'Université)
In a network of increasingly connected European cultures, musicians face questions of how to interact across national borders. A myriad of strategies have been developed to assert local identity and individualism while recognizing broader European contexts. This panel focuses on the problems inherent in envisioning musical futures that play with perceptions of geographical place and identity.

From strategies of touring virtuosi, to representations of Polish national identity abroad, to descriptions of national compositional styles, discussions about nationalist rhetoric and visions for the future of one nation often hinged on perceptions of distant and unfamiliar places.  Likewise, the challenge of constructing a sense of national belonging in Belgium, a site of conflict and contention since the nation's founding, illuminates how educational institutions, economic and social tensions, and imperial ambitions shape and reshape visions of identity.Together, these six papers offer a dialogue on how place and nation have contributed to diverse conceptions of European musical futures.

Chair:
Gina Bombola
Discussant :
Annelies Andries
Belgian National Identity in the Work and Writings of François-Joseph Fétis
Chikako Osako, Université libre de Bruxelles / Japan Society for the Promotion of Science
On Tour with Paganini and Baillot in 1833
Diane Tisdall, King's College London
Studying Musicians in Times of Crisis: The Case of Interwar Brussels
Christopher Brent Murray, FRS-FNRS / Université libre de Bruxelles
"Congolese" Musical Idioms As Expressions of Belgian National Identity
Catherine A Hughes, University of North Carolina at Chapel Hill
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